Monday, May 12, 2014

Cathedral of St Mary of the Assumption CathedraCathedral of St Mary of the Assumption Cathedra Plaza del Palacio, 1, 22300 Barbastro (Huesca) By Fernando de Zuniga Barbastro is the place of the host town of the survival dinner of the Lions of the Pyrenees. Barbastro’s cathedral is one of the best examples of Gothic Renaissance architecture in Aragon. Built as a collegiate church in the 16th century (1517-1533) on the site of an ancient mosque, it achieved the status of cathedral a few years later. Three different architects took part in its design: Luis de Santa Cruz, Juan de Sariñena and Juan de Segura. Although its structural elements are Gothic, the interior is closer to the Renaissance style. An outstanding feature on the exterior is the bell tower, which was built in three phases: the two lower sections were begun in the Middle Ages; it was reformed in a second phase; and the capital on the top was built in the 18th century. The main altarpiece is a key feature of the cathedral. Made of alabaster, it was designed by Damian Forment, who is credited with bringing the Renaissance style sculpture to Aragon. The main body of the altarpiece was finished after the death of Damian Forment by three of his followers. Carved polychrome wood was used to give the appearance of alabaster with the aim of maintaining unity in the overall design. Also of interest is the altarpiece of San Victorian, which came from the monastery of the same name in the La Fueva valley, one of the most important medieval monasteries in Aragon in its day. The bell tower was built on the site of the old minaret of Barbastro’s main mosque and for this reason it is set apart from the main cathedral building. The plan is octagonal and the external wall that can be seen today hides an interior wall that once belonged to the original minaret. Due to damage suffered over the years, renovations were carried out in 1610 by the architect Pedro de Ruesta. These involved the addition of three new sections separated by lines of ashlars, which were then finished off with the addition of a pyramidal spire to achieve the desired height. These changes gave the tower its current day appearance.

Cathedral of St Mary of the Assumption Cathedra
Plaza del Palacio, 1, 22300 Barbastro (Huesca)

By Fernando de Zuniga

Barbastro is the place of the host town of the survival dinner of the Lions of the Pyrenees.  Barbastro’s cathedral is one of the best examples of Gothic Renaissance architecture in Aragon. Built as a collegiate church in the 16th century (1517-1533) on the site of an ancient mosque, it achieved the status of cathedral a few years later. Three different architects took part in its design: Luis de Santa Cruz, Juan de Sariñena and Juan de Segura.
Although its structural elements are Gothic, the interior is closer to the Renaissance style. An outstanding feature on the exterior is the bell tower, which was built in three phases: the two lower sections were begun in the Middle Ages; it was reformed in a second phase; and the capital on the top was built in the 18th century.

The main altarpiece is a key feature of the cathedral. Made of alabaster, it was designed by Damian Forment, who is credited with bringing the Renaissance style sculpture to Aragon. The main body of the altarpiece was finished after the death of Damian Forment by three of his followers. Carved polychrome wood was used to give the appearance of alabaster with the aim of maintaining unity in the overall design.

Also of interest is the altarpiece of San Victorian, which came from the monastery of the same name in the La Fueva valley, one of the most important medieval monasteries in Aragon in its day.


The bell tower was built on the site of the old minaret of Barbastro’s main mosque and for this reason it is set apart from the main cathedral building. The plan is octagonal and the external wall that can be seen today hides an interior wall that once belonged to the original minaret. Due to damage suffered over the years, renovations were carried out in 1610 by the architect Pedro de Ruesta. These involved the addition of three new sections separated by lines of ashlars, which were then finished off with the addition of a pyramidal spire to achieve the desired height. These changes gave the tower its current day appearance.

It is opened from 10 to 11.30 and 19.00 to 20.30 h. Monday to Sunday.